was successfully added to your cart.

Cart

Tag

gallery

Sea, Space and Beyond

By | Art, Disability

If you find yourself with time on your hands this month, go check out an art exhibition at Newcastle museum. I’m not suggesting this because I have work in this exhibition. I suggest it because it’s not your typical art exhibition. This show is the collaboration of The Newcastle City Council and Vision Australia.

The theme of the exhibition is “Sea, Space and Beyond” and has inspired some incredible art pieces. At the door of the room containing the main body of work, you will find a ocean reef and all kinds of sea creatures.

What makes this, and the other works in the show so interesting is that all of the works are tactile and can be touched.

This reef, for example, has been created by a group in Dungog and is made from knitting. I can honestly say that I’ve never felt such an amazing work in wool.

At the far end of the display,you will find another fantastic piece. The artist has created sea creatures and a whole underwater scene. All made out of plastic bottles that she has meticulously cut and suspended inside a wooden crate. What I love about this piece by Natasha Wilson, is her intend for using the plastic bottles. She seeks to remind and teach us what the consequences on our environment are. How we are killing other sea creatures that we can’t necessarily see, thus being easy to forget. Another piece was made by applying paint with the tip of a white cane.

It was so incredible being able to interact and actually see the art works for myself. Being able to read the description of each piece myself, because they are all in braille.

The most unique piece in the exhibition is a huge sheep, with a iced doughnut sitting on its back. The whole thing made of recycled metal that has been welded together. If you go to see anything, it has to be this sheep. It would have to be one of the strangest and most interesting sculptures I’ve ever seen.

The show is open until 21 March. There’s no cost, you just need to sign in and head on in. I’m sure you’re going to enjoy it. Oh and I hope you like my pieces too.

-Sam Olgilvie

Sneak Peak into Resin Sculpture

By | Art, Lifestyle

A FEW WORDS ABOUT RESIN SCULPTURE

 

Last Sunday saw the start of a new kind of workshop at Art Mania. Last Sunday and for the coming two Sundays, we are running a resin sculpture workshop. Given my love of resin and sculpture, I thought it was the workshop for me and thus far I’ve been correct. On the first day we designed on the design, or picture. The other key word in the title of the workshop was foreshore. I’ve not put this in my title, because we weren’t limited to Newcastle’s foreshore.

My scene is rockpools and beach surrounded on three sides by water. I think of it as either a headland or part of an island.

 

LET ME WALK YOU THROUGH THE PROCESS

 

To create this first section, we were all given a small bucket of putty. This was used to make rocks, reefs and other objects wanted by each individual in their scene. I of course ran out of putty before I’d finished creating all my rockpools. Lucky for me, a fellow creator and friend didn’t need all of her putty and was happy to give it to me.

Once the rocks and reefs were established, it was time to add the sand. This was where it got messy. Although for me I’d already made a mess by choosing to dig my putty out with my hands and digging in my fingers to give texture to my rocks.

For the whole group, the sand was the messiest part. We needed to mix the sand with glue. The idea was to make it wet enough to be able to manipulate, but not so wet that it couldn’t be sculpted.

The whole process was finished in around an hour, giving everyone an early mark from the first day. We were unable to move on from this step, as the sand and putty needed at least twenty four hours to dry.

A BEAUTIFUL THING CALLED UNIQUENESS

Walking around the room after everyone had gone, looking at each piece, there wasn’t a single piece the same as someone else’s. We had all put down totally unique foundations for our pieces. This is one of the things I love about creating. Even with the same instructions and same materials, you can still be completely unique because it’s also about what you personally bring to the creating table.

We were all sent home with the instructions to gather together any little bits and pieces we want to add next Sunday. Things like shells, fish etc. I’ve been hunting out little sea creatures I can add and gathering twigs for driftwood.

We all meet again this coming Sunday and I can’t wait to see what everyone does next.

 

– Sam Ogilvie

Featuring Lee-Anne Corrigan

By | Art, Virtual Gallery

Lee-Anne Corrigan is a Novocastrian Artist and Art teacher, who loves painting portraits and contemporary themes in oil, acrylic, pastel and mixed media.

Lee-Anne’s qualifications include Diploma in Art, Diploma in Education and Post Graduate art University of Newcastle.

She has worked full-time and part-time in Secondary and Tertiary Education since 1983 as an Art teacher and instructor and have taught Children’s Art classes since 1990. Lee-Anne also held a position of the Art Director at Society of Artists between 2016 and 2018. Presently you can find her working as the early childhood art educator at The Rumpus Room Early Childhood Centre.

She has been actively pursuing her passion for Art in competitions and exhibitions and have received awards from The Society of Artists, winning The Newcastle Prize for overall Best Painting in 2018 for her oil painting of Three Kings.

‘Princess Dreaming’ 

Oil on canvas, 75 x 61 cm, $550

Artist Statement: Children are often the subject of my artwork. I have always enjoyed teaching children at my home art studio since 1990. This painting is a whimsical composition depicting children at play as they explore dress up and dreams. It is inspired by Chagall, one of my favourite artists.

‘Encaustic Still-life’ 

2020, Mixed media and beeswax 31 x 25 cm, $120

Artist Statement: This year I have turned my home studio into an encaustic art studio for experimenting with hot wax painting as an extension of my interest in mixed media. My husband keeps bees and I make my own paint with beeswax and Damar resin. It’s an exciting medium to explore and blend with drawing, painting, collage and 3-D art forms.

‘Portrait of Kurt Fearnley’

2018, Oil on canvas 75x 61cm,  $550

Artist Statement: I painted Kurt’s portrait for the Portrait Painters Hunter annual portrait exhibition. I met Kurt while I was working as early childhood art educator at The Rumpus Room Childcare Centre.
Kurt Fearnley is a renowned Novocastrian and Australian wheelchair racer who won gold medals at the Paralympic Games. This portrait was voted People’s Choice in 2019.

‘Profile with a water pot’

2020, Pastel on colour-fix paper, 47x37cm, $160

Artist Statement: A profile photo from my travels to Uganda was the subject for this pastel portrait drawing. I love to teach portraits to my students and I made this one for a Zoom Art class during lockdown.

Introducing Samantha Ogilvie

By | Art, Virtual Gallery

How do you keep creative during lockdown?

 

I’ve been very lucky when it comes to lockdown. I’ve been able to continue one on one classes at Art Mania using Facetime. These sessions have been the highlight of my week and has given me something to look forward too, especially during a dark week.

 

I’ve found that it’s easier if I make sure I schedule in some creative time everyday.

 

It doesn’t have to be anything elaborate, this weekend I’m cleaning up a clay bowl I made on the wheel. This involves shaving off outer layers of clay to clean and shape. I find the rapidity soothing and even meditative. Even just some colouring in will help stay creative. If you’re a parent, it would also help the family to try doing something creative together.

Who’s Samantha and what kind of art does she create?

Samantha Ogilvie has an advanced diploma in Professional writing and editing. She is a poet and blogger who has only recently come back to art.

She works with several different forms, styles and materials. Clay, mosaics, glass fusing, mixed media and painting. Most of her work is inspired by the natural world and attempts to show just what she can see, rather than focusing on what she can’t. Flora and fauna along with pieces that juxtapose the natural world with the artificial. All the materials Sam uses are chosen for their feel and texture.

 

Nightscape

Artist Statement: This painting is one of several created by the artist where different materials were used to create a textured view of a visual that is often taken for granted. As the artist is blind, the idea was to create something we all know, but from the unique point of view of someone who sees the world differently to the sighted. Rock salt was scattered over the canvas while the undercoat was still wet and more water sprayed over the salt. The salt that didn’t dissolved was shaken off or wet as part of the end piece. This has worked to create a visual representation of the artist’s tactile view. Other layers of paint has also been used to fill out this visual representation.

Landscape of the blind

Artist Statement: This painting was created using the same techniques as the previous painting. Rather than using salt, the artist has experimented with other materials. Glue was applied with a glue gun to make the surface of the painting uneven and textural. Once the under-coat of paint was applied, different colours of wax were dripped across the canvas. Again, it is created to try and give those the sighted world, a glimpse into what someone without sight can see and just how much their hands can actually see.

Lockdown Tatoo

Artist Statement: A shop mannequin consisting of torso and top of the thighs. Using multiple materials I wanted to create a piece that expressed the effects of isolation and the new landscape created by Covid-19. the collar hanging around the neck symbolises the loss of control over ones life and the enforcement of restrictions and rules. The leather over the shoulders and upper chest are an armour against the fear of the unknown. the tangle of thread over abdomen is the tangle of the gut when dealing with the new foreign world.

In contrast the torn up pieces of book pages covering the back is the power of words that has always been been available and the shells are the ebb and flow of the tides offering hope that things don’t last and there will be an end. The softest materials represent the softer underbelly in all of us. And the criss-cross materials are to represent the stitching of ones self back together.

Featuring Michelle Nugent

By | Art, Virtual Gallery

How do you keep creative during lockdown?

 

During lock down, I have been experimenting with new ideas, concepts and materials. I start my day with a twenty-minute exploration exercise, and each day I aim to try something different. It also challenges me to produce something in a limited amount of time, which is hard for me as I tend to overthink and dwell on an artwork. I then start my day, which has usually been working on commissions. Follow up with another twenty-minute exercise after lunch to break up my work and reignite my creative juices for the afternoon.

 

I think it is important that we allow ourselves the opportunity to experiment without judgement, and explore without limitations.

 

This is when growth occurs! If you are finding yourself struggling during lock down, I encourage you to try my twenty-minute exercise. Try something new; maybe you have always wanted to try palette knife painting, or use collage in a mixed media piece… It can be anything! Remember to set aside all judgement – it doesn’t need to be a masterpiece!

You might discover something really amazing…

Let’s learn a bit more about Michelle and her art

Michelle Nugent is a Newcastle-based artist, working across a range of mediums.

She produces both personal and commissioned works, for a variety of clients. Her works range from mixed media, watercolour and digital, and are available for purchase as prints and a selection of originals are also available. Michelle is constantly looking to the environment around her to gain inspiration and ideas for her explorative work, and is always seeking new ways to improve her practice.

Organic Exploration #04

Watercolour, Sharpie, and Chalk on 200gsm cold-press watercolour paper, 21cm x 29.7cm, $35.

Artist Statement: Organic Exploration #04 is a study of the basic principles and elements of art in the form of a mixed media work. I have layered different mediums to explore organic shapes and their relationship between rhythm, pattern, and line. The shapes drawn in pen and chalk suggest fluidity and a relationship to water in the organic environment, which correlates to the material used on the bottom layer (watercolour). When creating this work, I imagined water droplets hanging from the linear patterns, creating an overall sense of movement.

Digital Illustrations & Portraits

Digital Illustrations, custom, prices are as follows: 1 Person – $30, 2 people – $50, 3 people – $65, 4 people – $80, 5+ people – $100+. Note: Drawings are customised to each person, thus the exact ones in the images are not for sale and serve as an example.

Artist Statement: These portraits are completely customisable depending on requirements. Using a reference image, I create a character drawing of up to ten people. They are a great way to capture a moment in a fun and creative way. I can add in things that are representative of the particular person, such as wearing a jersey of their favourite team, playing an instrument etc. They make wonderful gifts and look great in a frame.

Meet Ashlee Jedrzejak

By | Art, Virtual Gallery

I must always create, it's who I am...
Creativity for me births the entangled
and chaotic words and feelings
entrapped in mind, body and soul.
It’s my voice - an infinite
wordlessness spoken to the universe.

Ashlee JedrzejakArtist | Art Teacher

Let’s learn a bit more about Ashlee and her art

Ashlee has completed an Advanced Diploma of Fine Art, at Newcastle Art School, and is a practicing artist and art teacher.

She has had a innate passion for creating art from a very young age. Loves experimenting and exploring with an array of different art materials, but particularly enjoys acrylic painting and drawing. Ashlee has an affinity to create with a kaleidoscopic pallet, and uses courageous mark making to produce energetic works of art that are very raw and playful. Her inspiration is magnetized from nature, and day to day experiences.

Ashlee is an immense believer in art, as a means of self expression, and finds the act of art making quite therapeutic and enlightening. She feels that it is an honourable experience to guide and teach others to this awareness.

‘Tide pool’ 

2020, Acrylic on canvas 51 x 61 cm, NFS

Artist Statement: Inspiration for ‘Tide Pool’ was drawn from the Carey hole in Newcastle, and also in a metaphorical sense it reflects the landscape of the mind. It portrays a treasure trove of marine delights, in a tiny yet complex ecosystem. It was fascinating to create this piece, explore and experience where these hardy inhabitants survive the pounding waves, forceful winds and exposure to the sun.

‘Enlightenment’

2018, Mixed media on board 45x 60cm,  $160

Artist Statement: My work ‘Enlightenment’ was created while pregnant with my second son, and in the depths of exploration of self. It reflects the childbearing woman, nourishment of breastfeeding, and the correlations between nature as a source of life and an inspiration for personal reflection and emotional growth.

‘Eye don’t know’

2019, Mixed media on board 30x45cm, $120

Artist Statement: ‘Eye don’t know’ was created and guided by intuition. The repetitive use of the third eye symbol is a reflection of self- what it is to be human and woman, and the connectedness to the universe. The gaze of the figure holds painful yearnings and love that is so potent and melancholy that it lingers. It’s a love that lunges forward in anticipation, but with nothing to meet it…